These mirrors sit somewhere between a reflection and a confession.
Edward removes just enough of the surface for language to appear, leaving words suspended between what is seen and what is felt. The viewer becomes part of the work, caught inside the sentence, completing it with their own reflection.
There is something honest about a mirror. It cannot lie. These works use that honesty to explore love, longing, identity, and the quiet spaces we carry inside ourselves. The result is both fragile and direct, asking us to look a little longer at what stares back.
